After months of intense work, we’ve just completed the final shooting of Future Past – Chapter I. This has been one of the most challenging and fascinating projects I’ve ever created: we immersed our characters in the soil as if performing a contemporary archaeology of humanity.

A journey filled with dust, light and emotion — every frame tells a story of survival and transformation.
My deepest thanks to all the models, technicians, and collaborators who made this vision possible.

Soon, Future Past will come to life in a museum exhibition in Mexico and later in a gallery in Paris. Stay tuned — the excavation has just begun.

Midway through Future Past – Chapter I, exhaustion and wonder walk side by side. Hours breathing dust, covered in mud and humidity, yet the energy on set never fades — because what we’re seeing through the lens is beyond words.

The images are raw and powerful, the colors alive, the emotions tangible. Every shot feels like a discovery unearthed from another time.

Infinite gratitude to the models, who endured hours half-buried in the earth with incredible strength, and to the assistants and crew, whose patience and dedication keep this titanic project alive.

We are tired, yes — but also amazed. Something extraordinary is surfacing.

The first shooting of Future Past – Chapter I has begun — and with it, the feeling of stepping into the unknown. This project marks the beginning of a great artistic and human adventure, one that challenges everything I thought I knew about creation.

Before the camera rolled, I felt that quiet tension between excitement and fear — the question that always appears before something truly meaningful: Will it work? Will it speak the way I imagine?

We started digging, literally and metaphorically, burying and uncovering fragments of our own time. The earth, the bodies, the silence — everything became part of the story.

This is just the first step of a long excavation into the past of the future.

Upcoming Exhibition — “Waiting for the Eternal Return” at CCU BUAP

We are thrilled to announce that Waiting for the Eternal Return will soon be exhibited at the Centro Cultural Universitario BUAP, one of the most inspiring art spaces in Mexico.

The exhibition will feature over 40 photographs, two large-scale installations, and four video art pieces, offering an immersive journey through the visual and philosophical universe of the project.

Each work invites the viewer to reflect on the cycles of time, identity, and globalization — and to rediscover the delicate balance between decay and rebirth.

Stay tuned for the opening date and join us for this unique exploration of the eternal return.

Rather than assuming an apocalyptic future, 4 SEASONS  invites us to view globalization from two opposite perspectives: one playful — where the universe seems to push us toward unity — and another, more brutal, where a dominant culture seeks to absorb all others.

But what if this is a false perspective? What if time is not linear, but cyclical — as quantum physics suggests? What would eternal return mean when thinking of borders, migrations, and power?

Waiting for the Eternal Return does not seek answers; it seeks to awaken the act of questioning. Through the metaphor of the four seasons, the project explores the natural cycles of life, mirroring both the evolution of humankind and the rise and fall of civilizations.