About CRISIS HOLYDAYS project
CRISIS HOLYDAYS
Exhibited at the Galerie Jean Collet in Paris, this installation stages a surreal encounter between two powerful symbols of movement: the rails, evoking the relentless mobility of trains that traverse borders and geographies, and the mobile home, emblem of rootless living and nomadic adaptability.
At the intersection of these elements, a poetic image emerges — a mobile home “landing” on railway tracks in a gesture that feels both improbable and dreamlike. The work reflects on the profound instability that defines our contemporary condition, where fixed identities and permanent places are increasingly replaced by fluidity, transition, and transformation.
Far from lamenting this state of constant motion, the piece invites us to consider adaptability as a vital skill — a way of inhabiting a world in perpetual change. It asks us to imagine belonging not as attachment to a place, but as the capacity to carry home within ourselves, wherever the rails may lead.